"Warszawa 1935" ("Warsaw 1935") is a short movie which was produced by the Newborn special effects studio for nearly 4 years, showing the audience for the very first time the capital of Poland in the mid-war period. This film will take us to the streets of the city, presenting the precisely reconstructed pre-war Warsaw architecture. The main source of images for the digital reconstruction was photographs available among others in the State Archive of the Capital City of Warsaw. (source: promotional materials)
The story behind the creation of the transistor, one of the 20th century's most important inventions.
Dramatic documentary about the young German pacifist and theologian Dietrich Bonhoeffer who resisted the Nazi regime and was hanged two weeks before World War II was over.
A filmmaker explores the life of her 100-year-old great-aunt, Jane Chung, an actress who made a career for herself at a time when Asian Americans faced widespread racism in Hollywood. Jane has had parts in over fifty films and TV shows including Chinatown, When Harry Met Sally, M.A.S.H. and I Love Lucy, yet most of her roles are uncredited. Through the story of Jane Chung's life and career, More than a Face in the Crowd reveals a larger untold story of Asian American actors and extras in Hollywood.
Directed By Keigo Kimura
Even though bringing in cameras to the internment camps was prohibited, one man managed to smuggle in his own camera lens and build a camera to document life behind barbed wires, with the help of other craftsmen in the camp. That man was Toyo Miyatake, a successful issei (first generation immigrant) photographer and owner of a photo-shop in the Los Angeles Little Tokyo district, and of one of the many Americans who was interned with his family against his will. With his makeshift camera, Miyatake captured the dire conditions of life in the camps during World War II as well as the resilient spirit of his companions, many of whom were American citizens who went on to fight for their country overseas. Miyatake said, "It is my duty to record the facts, as a photographer, so that this kind of thing should never happen again."
This Indian documentary had its world premiere in Paris. Told simply and straightforwardly, the film traces the life of Buddha, from humble priest to religious icon. The central character's search for wisdom and inner peace may not seem like ideal visual fare, but director Rajbana Khanna makes it so. Emphasis is placed upon Buddha's relationship with the land, conveyed by lyrical shots of India's vast and varied terrain. Prior to its official release, Gotoma the Buddha was feted with a "special mention" at the 1957 Cannes Film Festival; few viewers will hold it in lesser esteem.
A Jewish manufacturer is accused of murder in this post-war German examination of Weimar-era anti-semitism.
Koenigsmark is a 1935 British-French drama film directed by Maurice Tourneur and starring Elissa Landi, John Lodge and Pierre Fresnay. The film is based on the novel Koenigsmark by Pierre Benoît. It's sets were designed by the art director Lucien Aguettand. The film was known in the United States as Crimson Dynasty.
By cross-editing footage of Portuguese workers protesting against NATO forces and various movies, Monteiro shows how one 'sword' can confront the army.
The reconstruction of a Dutch political scandal from the 1960s when a PR specialist managed to gain unhealthy influence in government circles. Eventually he became the biggest victim.
Shown in Cannes 1947.
"Óscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Óscar Domínguez, contemporary of Picasso. The film rediscovers the life of a talented artist who was ignored after he committed suicide, fifty years ago, victim of a serious illness which had disfigured his body: the Elephant Man's disease. The film is stirring and touching and compels admiration for the bohemian painter whose fate was self-destruction, after a wild crazy life. Lucas Fernández turns the life of a debauchee, who regarded himself a monster because of his disfiguring disease, into a universal story where art is the product of love and loneliness, of sex and violence before, during and after the Nazi invasion of Paris.
Documentary about Slovenian journalist Juri Gustincic. He was a correspondent in Great Britain, Greece, Israel, U.S., etc. from 1950s to 1980s, reporting to Belgrade RTV and RTV Ljubljana. In 1968 he was one of ten Yugoslavian journalists who reported on the invasion of Soviet forces in Czechoslovakia.